SZA has new music for us! Reveals she’s worked with Pharrell, Ty Dolla $ign, and Ariana Grande.

In a new interview SZA details what fans should expect with her sophomore album.
The songstress says she isn’t afraid of having to replicate the success of ‘Ctrl’.
 
“I wasn’t moved by the success of Ctrl, because it felt the same way it felt when I made anything else of mine. I was more just grateful and blown away that people were touched by it,” she says. “But in terms of why it was successful and what sells albums, and what sells singles, I didn’t learn anything there. Especially not enough to scare me.”
  
SZA reveals she manifested working with Pharrell and it happened in February.
  
He asked me to do something on a beat, in front of everybody, and I normally record in a room by myself all the time. This was him, Chad [Hugo] and like five other people. So I go into the studio, I lay my crystals down on the floor in a grid and I just start f**king snapping”.
  
SZA also talked about losing “Consideration” to Rihanna, admitting that TDE’s President Punch told her not to play anything from her album during the ‘ANTI’ studio sessions.
  
”The first time he was in the room with Rihanna and stunting for him is how I lost “Consideration”. Rihanna’s like, ‘B***h, I’m taking this song and there’s nothing you can do about it, but I’m gonna do it justice!’” she says.
“Punch gave me strict instructions not to play anything from my album, but I wasn’t about to go in there, to a room with [him] and Rihanna, and play the flops. I’m playing “Drew Barrymore” and I’m playing “Consideration”. I’m playing everything I have!” she laughs. “But Punch says, ‘I’m telling you, do not do this,’ so we agreed that I wasn’t gonna do that. Then I walk in, Pharrell is sitting there drinking wine, and I guess my hands just slipped and I played my album. I played Ctrl”. 
  
She also talks about working with Pharrell and Ariana Grande during the ‘Sweetener’ era, as well working with Ty Dolla $ign and Pharrell for three days straight.
 
So then I go over to DJ Khaled’s house to record on the beat once our session’s over. Ty Dolla $ign randomly comes over and we’re making s**t, and then I play it for P and he’s just f**king with me the way I dreamed he would be f**king with me. He ended up extending the session for an extra three days and at the end I was just like, ‘You don’t know how much you mean to me in the realm of black, suburban, weird kids. You validated me in the world for thinking differently and dressing differently, and feeling differently, and that’s priceless.’ I’m damn about to cry right now just thinking about it”.
  

Leave a comment